#Simple delay note tunings how to#

Depending on the pace of the vocal performance and the tempo of the song, delay times will usually range from sixteenth notes all the way through to half or whole notes. One way to add rhythmic enhancement to a vocal performance while adding depth and space is by using repeating delays.

Use repeating delays to enhance important lyrics Here’s a J37 Tape stereo slap delay with offset 1̸32 note setting (displayed in milliseconds):ĥ.

Apply filtering and try panning the returns in to the 9 o’clock and 3 o’clock positions if the desired depth is not initially achieved.

Unlink the left and right delays and shift one side a few milliseconds earlier and the other a few milliseconds later.

Using a stereo delay like the J37 Tape plugin, start by setting the same musical time value for both delay returns and pan them hard left and right.

If a single delay does not provide a big enough effect for your song, a double slap can be twice as nice. Use stereo slap for a bigger, wider sound Filter more when the vocals sounds confused or disrupted, filter less if the slap effect needs to be heard clearly in the mix, rather than felt.Ĥ. When setting your filters, always listen in context for the best combination of depth and clarity in the overall vocal sound.

Reducing the lows, or using more low frequency filtering will enhance the clarity of the delay.

Reducing the highs, or using more high frequency filtering will enhance the depth of the delay.

Without getting into technical reasons for this, what you need to know is: The reason is simple: over the course of any given distance, an acoustic audio signal will lose high and low frequency energy. Using high-pass and low-pass filters is a powerful way to add depth and separation of the slap delay from the dry signal. Here, we use the slap delay section in the Kramer Master Tape plugin with a 1/32 note setting: Remember, most slap effects are felt rather than heard so a little goes a long way. You can shift the delay time to be slightly longer or shorter relative to the exact musical timing to make it sound most natural. In most cases a 1/16, 1/32 or 1/64 note timing will work to create a slap effect. The easiest way to find a good delay time is to base it on the tempo of the song. Faster tempos with busy vocals will require shorter times to achieve the necessary effect without clouding the performance. Slower tempos with legato vocals allow for longer delay times. Delay timing: Set to match tempo and paceThe timing of the delay should be based on the tempo of the song and the pace of a vocal. Used with varying delay times, a slap can provide anything from a slight depth and cushion to a full, large echo reminiscent of early rock & roll recordings.Ģ. Anyone who has ever been in an empty parking lot near a big building will understand the effect of a simple single delay and the sense of distance it provides. The easiest way to bring depth to vocal sound is to add a single slap delay. The following tips will help you achieve the depth, character and clarity that every vocal deserves.

When delays are artificially added to sounds in a mix it can create a sense of recognizable depth and space that adds intelligibility and presence.

The amplitude, frequency response and timing of delayed acoustic signals provide the most powerful cues for localization and determining the size of our environment.

#Simple delay note tunings how to#

Do you know how to set delay times to the tempo and pace of a vocal? Use filters to add depth? Apply delay throws, slaps and taps? Experiment with these tips to make vocals bigger and deeper.ĭelay is the most primal element that defines our sense of environmental space.